{"id":250,"date":"2016-01-08T04:05:23","date_gmt":"2016-01-08T04:05:23","guid":{"rendered":"http:\/\/artconservationinternational.com\/?page_id=250&lang=en"},"modified":"2024-03-07T14:51:38","modified_gmt":"2024-03-07T14:51:38","slug":"artistes","status":"publish","type":"page","link":"https:\/\/artsconservationinternational.com\/en\/artistes\/","title":{"rendered":"Artists"},"content":{"rendered":"
[vc_row][vc_column width=”1\/2″][vc_column_text]\n

Artists<\/h1>\n

We are frequently presented with \u2018anonymous\u2019 works of art though we can often place them in a precise context, historically and geographically. Other times, we restore works that are \u2018attributed to\u2019 a particular artist. This means there\u2019s a high probability without being 100% sure about its provenance. Keep in mind that it was only towards the end of the 16th century that artists began to sign their work. Outlined below are some of the artists whose work ACI has restored with 100% attribution.[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1464355393852{margin-right: 30px !important;}”]\n

XII-XVI\u00a0Centuries<\/h3>\n

Giotto
\nGiovanneti, Matteo
\nScolaio, Giovanni<\/p>\n

XVII Century<\/h3>\n

Ch\u00e2telain
\nDomenichino
\nDe Griebber, Pieter
\nHall\u00e9, Claude-Guy
\nParrocel<\/p>\n

XVIII\u00a0Century<\/h3>\n

Callais, Antoine
\nGuardi, Gian Antonio
\nLafosse
\nPerdrix
\nWatteau, Louis<\/p>\n

<\/h3>\n[\/vc_column_text][vc_single_image image=”213″ css=”.vc_custom_1453477070401{margin-top: 5px !important;}” img_caption=”Hall\u00e9, Claude Guy”][vc_single_image image=”127″ css=”.vc_custom_1453469243176{margin-top: 5px !important;}” img_caption=”Louvre, Cours Visconti”][vc_single_image image=”751″ img_caption=”Adler, 20th century”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]\n

XIX Century<\/h3>\n

Apiani, Andrea
\nBrest, Fabius
\nBaader, Louis
\nCorot
\nChartran, Th\u00e9obold
\nDe Grally, Victor
\nGirardet, Eug\u00e8ne
\nGudin, Th\u00e9odore
\nLenepveu, Jules
\nLepoittevin, Eug\u00e8ne
\nLe Sidaner, Henri
\nOudry, Jean-Baptiste
\nWest, Benjamin
\nWinterhalter<\/p>\n

XX\u00a0Century and\u00a0Contemporary<\/h3>\n

Adler, Jean
\nBaillon de Wailly, Myrte
\nGromer, Marcel
\nKiefer, Anselm
\nTinguely<\/p>\n[\/vc_column_text][vc_single_image image=”193″ css=”.vc_custom_1453468129834{margin-top: 5px !important;}” img_caption=”Kieffer, Anselm”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”82″ css=”.vc_custom_1454055170594{margin-top: 5px !important;}” img_caption=”Scolaio Giovanni, Master of Borgo alla Collina”][vc_single_image image=”191″ css=”.vc_custom_1453468352438{margin-top: 5px !important;}” img_caption=”Baader, Louis”][vc_single_image image=”125″ css=”.vc_custom_1453468529381{margin-top: 5px !important;}” img_caption=”Rigaud, Hyacinthe”][vc_single_image image=”198″ css=”.vc_custom_1453468464003{margin-top: 5px !important;}” img_caption=”Ch\u00e2teau de Montvallat”][vc_single_image image=”130″ css=”.vc_custom_1453463734161{margin-top: 5px !important;}” img_caption=”Parrocel, Joseph”][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”128″ css=”.vc_custom_1453468741157{margin-top: 5px !important;}” img_caption=”Bouchard, Louis et Landowsky, Paul”][vc_single_image image=”129″ css=”.vc_custom_1453477362326{margin-top: 5px !important;}” img_caption=”Watteau, Louis”][vc_single_image image=”215″ css=”.vc_custom_1453477151892{margin-top: 5px !important;}” img_caption=”P\u00e9ronne, “La bonne mort“”][vc_single_image image=”670″ img_caption=”Fabius Brest”][vc_single_image image=”126″ css=”.vc_custom_1453468290300{margin-top: 5px !important;}” img_caption=”Winterhalter, Franz Xaver”][vc_single_image image=”211″ css=”.vc_custom_1454055131561{margin-top: 5px !important;}” img_caption=”Spanish School 16th Century”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][vc_single_image image=”131″ css=”.vc_custom_1465912584271{margin-top: 5px !important;}”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][vc_column_text] Artists We are frequently presented with \u2018anonymous\u2019 works of art though we can often place them in a precise context, historically and geographically. Other times, we restore works that are \u2018attributed to\u2019 a particular artist. This means there\u2019s a high probability without being 100% sure about its provenance. Keep in mind that it…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":51,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-250","page","type-page","status-publish","hentry","entry","no-media"],"_links":{"self":[{"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/pages\/250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/comments?post=250"}],"version-history":[{"count":28,"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/pages\/250\/revisions"}],"predecessor-version":[{"id":1023,"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/pages\/250\/revisions\/1023"}],"wp:attachment":[{"href":"https:\/\/artsconservationinternational.com\/en\/wp-json\/wp\/v2\/media?parent=250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}